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Renaissance
''Matona mia cara'', Orlando di Lasso (1532 - 1597)
FarrierPete
2:57 Est. Play
Time
116 Measures
1,136Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 12 0 3 5 100%
Treble 11 0 2 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 12 0 3 5 100%
Treble 11 0 2 5 100%
Baritone Bass 11 0 3 5 100%
Bass Bass 12 0 1 4 98%
 
A Hornepype (shortened)
Bartók forever
3:19 Est. Play
Time
76 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Virginal Treble 22 3 3 9 100%
Bass 13 11 0 7 93%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Virginal Treble 22 3 3 9 100%
Bass 13 11 0 7 93%
 
Cantio Belgica SSWV 108 (shortened)
Bartók forever
2:18 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 16 0 4 6 98%
Orgel Treble 18 0 5 7 97%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 16 0 4 6 98%
Orgel Treble 18 0 5 7 97%
Bass 14 0 1 7 93%
Fagott Bass 9 0 1 6 94%
Violoncello Bass 11 0 1 6 76%
Klarinette
in
B		 Treble 12 0 3 7 61%
 
Psalmus sub communione SSWV 156 (TIP)
Bartók forever
5:33 Est. Play
Time
96 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgel Treble 20 0 6 7 80%
Bass 23 0 7 7 88%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgel Treble 20 0 6 7 80%
Bass 23 0 7 7 88%
 
Cabezón - Tiento sobre Cum Sancto Spiritu
Patrx2
2:50 Est. Play
Time
99 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 21 0 6 6 93%
Treble 12 0 3 3 19%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 21 0 6 6 93%
Treble 12 0 3 3 19%
Bass 17 0 4 4 70%
Bass 11 0 2 3 17%
 
Galliard 10, Francis Cutting
PreludeAndFugue
1:30 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 11 6 7 99%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 11 6 7 99%
 
Guillaume Dufay - Credo from Missa l'Homme Armé (partim) for brasses
Plagal
2:57 Est. Play
Time
70 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Trompet
1		 Treble 14 1 3 13 91%
Trompet
2		 Treble 12 0 3 11 91%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Trompet
1		 Treble 14 1 3 13 91%
Trompet
2		 Treble 12 0 3 11 91%
Trombone Bass 12 1 3 9 90%
Trompet
3		 Treble 11 0 1 5 77%
 
Galliard 39, Francis Cutting
PreludeAndFugue
2:10 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 26 30 9 8 95%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 26 30 9 8 95%
 
The King's dance
Samuele Meris
2:38 Est. Play
Time
119 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Chalumeau
contralto		 Treble 9 0 0 5 100%
Dulciana Bass 9 0 0 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Chalumeau
contralto		 Treble 9 0 0 5 100%
Dulciana Bass 9 0 0 5 100%
Viola
tenore		 12 0 0 5 73%
Violone Bass 6 0 0 3 73%
Flauto
dolce
sopranino
in
Fa		 Treble 9 0 0 5 71%
Flauto
dolce
tenore
in
Do		 Treble 9 0 0 5 49%
Cornamusa
soprano
 Treble 8 0 0 5 22%
 
Janequin: Au joly jeu
AymericHM
1:10 Est. Play
Time
36 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 19 0 5 96%
Bass 15 14 0 5 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 19 0 5 96%
Bass 15 14 0 5 89%
 
La Feliciana | A. Banchieri
Die Viole
1:55 Est. Play
Time
72 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor (Tenor) Treble 12 0 2 6 100%
Violone (Bassus) Bass 12 0 3 5 99%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor (Tenor) Treble 12 0 2 6 100%
Violone (Bassus) Bass 12 0 3 5 99%
Soprano (Cantus) Treble 14 0 4 4 96%
Alto (Altus) 10 0 1 6 93%
 
Semper Dowland Semper Dolens for Guitar Duo, John Dowland
PreludeAndFugue
2:27 Est. Play
Time
38 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
II Treble 26 7 7 8 93%
I Treble 24 0 8 8 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
II Treble 26 7 7 8 93%
I Treble 24 0 8 8 89%
 
Un jour je m'en allais / ti ti le li by Jacques de Wert SSATB with IPA
gmolstad
2:13 Est. Play
Time
64 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano (only
for
practice)		 Treble 17 23 4 5 99%
Bass 15 0 2 5 55%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano (only
for
practice)		 Treble 17 23 4 5 99%
Bass 15 0 2 5 55%
Alto Treble 9 0 2 5 100%
Soprano
I		 Treble 13 0 2 5 100%
Soprano
II		 Treble 12 0 2 5 95%
Bass Bass 10 0 2 4 44%
Tenor Treble 8 0 0 5 44%
 
Cantio Belgica (Wehe Windgen wehe) SSWV 108 (shortened)
Bartók forever
2:18 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 16 0 4 6 98%
Orgel Treble 18 0 5 7 97%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 16 0 4 6 98%
Orgel Treble 18 0 5 7 97%
Bass 14 0 1 7 93%
Fagott Bass 9 0 1 6 94%
Violoncello Bass 11 0 1 6 76%
Klarinette
in
B		 Treble 12 0 3 7 61%